A star-studded video of Asian American and Pacific Islander (AAPI) voices assemble to join Kamala Harris in saying: “When we vote, things change. When we vote, we win.” Featuring Aasif Mandvi, Anna Akana, Ashley Park, BD Wong, Connie Chung, Conrad Ricamora, Daniel Dae Kim, Darren Criss, Dwayne "The Rock" Johnson, George Takei, Harry Shum, Jr., Hudson Yang, Khizr Khan, Kumail Nanjiani, Lauren Tom, Lou Diamond Phillips, Lucy Liu, Maia and Alex Shibutani, Manish Dayal, Margaret Cho, Michelle Kwan, Mindy Kaling, Ming-Na Wen, Nik Dodani, Nikki SooHoo, Padma Lakshmi, Parvesh Cheena, Ravi Patel, Rosalind Chao, Sakina Jaffrey, Sandra Oh, Sendhil Ramamurthy, Tamlyn Tomita, Tia Carrere, and Yo-Yo Ma. Produced by TinDragon Media Join our campaign: http://www.joebiden.com Follow Joe! Joe’s Twitter: https://twitter.com/joebiden Joe’s Facebook: https://www.facebook.com/joebiden Joe’s Instagram: https://www.instagram.com/joebiden #JoeBiden #Joe2020 #BidenForPresident Former Vice President Joe Biden is running for president to restore the soul of the nation. He believes it's time to remember who we are. We're Americans: tough and resilient. We choose hope over fear. Science over fiction. Truth over lies. And unity over division. We are the United States of America. And together, there is not a single thing we can't do. Join Team Joe today: http://www.joebiden.com/join

Architect Elizabeth Diller explains how The Broad museum in Los Angeles was designed to feel "extremely welcoming" in the next instalment of Dezeen's Concrete Icons series produced in collaboration with Holcim. The video features The Broad in Los Angeles designed by Diller's studio Diller Scofidio + Renfro, a three-storey museum that houses an expansive collection of contemporary and post-war artworks. Speaking to Dezeen in an exclusive video interview filmed at the Diller, Scofidio + Renfro office in New York City, Diller explained how the building was designed to feel inviting to visitors with a porous facade that allows light to be gently diffused into the gallery. "It doesn't really feel like a traditional museum," Diller said. "There's no sense of authority. When you step off the street, no one tells you where to go. There's no information desk, there's no admissions desk. You don't pay, it's free. It feels extremely welcoming." Subscribe to our YouTube channel for the latest architecture and design movies: http://bit.ly/1tcULvh Like Dezeen on Facebook: https://www.facebook.com/dezeen/ Follow Dezeen on Twitter: https://twitter.com/Dezeen/ Follow us on Instagram: https://www.instagram.com/dezeen/ Check out our Pinterest: https://uk.pinterest.com/dezeen/

In this film celebrating SCI-Arc’s 50th anniversary, SCI-Arc graduates, current students, faculty, and leadership reflect on the cutting-edge design, innovation, and experimentation that have characterized the world-renowned institute throughout the past 50 years, while imagining what it will become in the next 50.

GEAR UP 4 LA aims to significantly increase student success in high school, persistence in college, and preparation for career and life-long learning. Learn more at https://www.gearup4la.net. GEAR UP 4 LA tiene como objetivo aumentar significativamente el éxito de los estudiantes en la escuela secundaria, la persistencia en la universidad y la preparación para la carrera y el aprendizaje de por vida. Obtenga más información en https://www.gearup4la.net..

Simphiwe Ndzube (b.1990, Cape Town, South Africa) lives and works in Los Angeles, CA and Cape Town, South Africa. He received his BFA from the Michaelis School of Fine Arts in 2015. Ndzube’s work is characterized by a fundamental interplay between objects, media and two-dimensional surfaces; stitching together a subjective account of the Black experience in post-apartheid South Africa from a mythological perspective. In this film, we tour the intricacies of his studio and background, taking a close look at two of his recent exhibitions. The first, “Like the Snake that Fed the Chameleon,” at Nicodim Gallery, expands Ndzube’s cosmology, reimagining Black bodies as mythical and fantastic beings capable of inhabiting multiple dimensions. His figures fly, flail, fall, and dance their way from sculpture, to sound, to canvas through multiple environments, highlighting the fluidity and permeability of identity itself. Like the snake, his characters can be cold-blooded and stealthy; like the chameleon, they are capable of change. From here Ndzube goes deep into his most recent exhibition “Oracles of the Pink Universe” at the Denver Art Museum. This exhibition is an expansion of Ndzube's visual search that explores a mythological place, drawing from his personal experiences, imagination, and art history. He presents exclusive works that depart from Hieronymus Bosch's painting “The Garden of Earthly Delights” (1490–1500), depicting a theatrical space where heaven, earth and hell intersect. As we step into this alternate universe, we’re confronted with artworks that explore themes of conflict, tension, resilience, strength and a fight for human rights. Additional recent exhibitions include “The Fantastic Ride to Gwadana,” Stevenson Gallery, Johannesburg, South Africa (2020, solo); “INXS: Major Never Before Seen Works by Simphiwe Ndzube, Moffat Takadiwa, and Zhou Yilun,” Nicodim Gallery, Los Angeles, USA (2020); “Hollywood Babylon: A Re-Inauguration of the Pleasure Dome,” Nicodim, Jeffrey Deitch, and AUTRE Magazine, Los Angeles, USA (2020). His work can be found in the collections of the Los Angeles County Museum of Art; the Musée d’art contemporain de Lyon, Lyon, France; and the Iziko South African National Gallery, Cape Town, South Africa, among others. Crew Credits - Production: Creator and Executive Producer - Hernan Diaz Alonso Producers - Marcelyn Gow/Reza Monahan Director - Reza Monahan Director of Photography - Walker Sayen (TinDragon Media) B Camera - J.J. House/Kevin Garrard C Camera - Alex Waxenbaum Sound Engineer/Swing Tech - Jason Chapron Soundtrack by: Xylo Ziko Post-Production: Story Producer: Vivian Charlesworth Editors - TinDragon Media/Reza Monahan Additional Images, Video and Music Provided by Simphiwe Ndzube, Denver Art Museum, Nicodim Gallery and Beyond Access - Flickr: Cape Town Masiphumelele Township Special thanks to - Sarah Davis ©2021 SCI-Arc Channel

Sign up for email updates: http://www.flock.band/ Listen to FLOCK on Spotify: https://spoti.fi/2SRiyCG Website: https://www.FLOCK.band Follow FLOCK: Instagram: https://www.instagram.com/FLOCKtheband Facebook: https://www.facebook.com/FLOCKtheband Twitter: https://twitter.com/FLOCKtheband CONTACT FLOCK Contact Form: https://bit.ly/2TNmdlk Email: Management@FLOCK.band LYRICS Lately I’ve been thinking All you mean to me You got me going crazy With all this mystery We glide in circle Swift choreography Doing the tango With my heart beat But I’ve got a question that I’m dying to ask Is this a date or a dance Is this my final chance What if I don’t know Can we take this dance real slow What move am I to make I got no room for mistakes Off beat too many times I told too many lies Now the floor is open It’s not too late Will you take my hand On this first date But I’ve got a question that I’m dying to ask Is this a date or a dance Is this my final chance What if I don’t know Can we take this dance real slow Do we risk it all Is it worth the fall What if I fail Do we risk it all Is it worth the fall What if I fail I won’t fail Is this a date or a dance Is this my final chance What if I don’t know Can we take this dance real slow Is this a date or a dance Is this my final chance What if I don’t know Can we take this dance real slow Music video by FLOCK performing Date or Dance (Lyric Video). ©FLOCK 2019 CREDITS Director: Blake Byrd Produced by: James Piccirillo & Blake Byrd Cast: Tova Kline, Blake Byrd, Rocket Thrall, Alex Macdonald, Daniel Thomson Director of Photography: Walker Sayen & Chad Byrd 1st Assistant Camera: Chandler Kilgore-Parshall Mix Engineer: Alberto Jaime Mastered by: Jamaal Taylor In collaboration with Oddyssey Films

GEAR UP is a seven-year grant awarded to MiraCosta College to work with Oceanside Unified School District to serve the students who started the program at Chavez, Martin Luther King, Jefferson, and Lincoln Middle Schools. The GEAR UP Grant will follow these students to El Camino High School and Oceanside High School and will continue to serve all students in these two high schools.

On August 26, 2022, Emerson College Los Angeles celebrated the five-year anniversary of its successful Career Advisory Network (CAN) program. CAN is a unique opportunity for currently enrolled Emerson LA students to build personal connections within the Los Angeles alumni network to better prepare them for careers beyond Emerson. Since its inception in Fall 2017, more than 1,000 students have participated in the program and nearly 100 alumni have served as advisors. For more information about the CAN program, visit emerson.edu/ela/can. Video produced by Emerson LA and TinDragon Media: https://www.tindragonmedia.com/ Follow Emerson LA: Instagram: https://www.instagram.com/emerson_la Facebook: https://www.facebook.com/EmersonLosAn... Twitter: https://twitter.com/theemersonla Follow Emerson College: Instagram: https://www.instagram.com/EmersonCollege Facebook: https://www.facebook.com/EmersonCollege Twitter: https://twitter.com/EmersonCollege LinkedIn: https://www.linkedin.com/school/emers... Website: https://www.emerson.edu/

"Audio is a temporary social architecture made of air." - From Figures in Air: Essays Toward a Philosophy of Audio, by Micah Silver. Black Hole is an artist-run space for audio in Los Angeles. Conceptualized by the artist Micah Silver, Black Hole is an environment where people can “listen to, think and talk about audio materials that are not possible to experience with widely-distributed audio technologies”. Located in Gardena, visitors enter through an unmarked door into the listening room - a black space with speakers mounted throughout. There, they experience their “session”, a time allotted to listen to a particular work. While sessions are the main focus of Black Hole, the organization also engages with the local community by offering free/low cost noise surveys and consultation services to respond to developments and construction in Los Angeles. Additionally, Black Hole’s LA Audio Solidarity program provides sound systems to activist groups and other community building actions. Black Hole’s creator, Micah Silver, is an artist and curator who studied music at Wesleyan and in MIT’s Art, Culture and Technology program. His work has been produced by MassMoca, Issue Project Room, Palais de Tokyo, and OK Zentrum, among other venues internationally. Silver also wrote the book Figures in Air: Essays Toward a Philosophy of Audio. *This film is best experienced with headphones or sensitive studio monitors. Crew Credits - Production: Creator and Executive Producer - Hernan Diaz Alonso Producers - Marcelyn Gow/Reza Monahan Segment Producer - Vivian Charlesworth Director - Reza Monahan Director of Photography - Walker Sayen (TinDragon Media) B Camera - Kevin Gerrard Sound Engineer/Swing Tech - Jason Chapron Post-Production: Story Producer: Vivian Charlesworth Editors - TinDragon Media/Reza Monahan Catherine Christer Hennix Image by Rosa Menkman License: https://creativecommons.org/licenses/by/2.0/deed.en Additional Images and Video Provided by Micah Silver Special thanks to - Advait Thakur ©2021 SCI-Arc Channel

Heather Repenning will fight to: ✅ Reduce class size for a better learning environment ✅ Restore music and arts programs ✅ Expand #STEM (Science, Technology, Engineering and Math) programs ✅ Lead the fight in Sacramento to increase per pupil spending ✅ Expand early child education Paid for by 1415174.

For more information, visit our interactive and informative website at https://ousdgearup.com/

GCV Anywhere is a new production platform that allows for core production facilities to remain on site while members of the production team can produce the show from home. Join us as we discuss the changes to the standard workflow for A1s while on GCV Anywhere productions. Key Takeaways: 1) Map KP Panels for the Raps room following the guidance of the KP Layout Sheet in your RAPS Workbook 2) Locate and map signals for remote announcers, and Intercom belt packs if they are a part of your show 3) Create and Map IFB Mix Minus programs to the Intercom correctly for remote announcers 4) Sending audio to the RAPS Audio Monitors as documented on the Audio Monitoring tab in your RAPS Workbook Chapters: 00:00 - Introduction 01:06 - Overview of the changes to the audio Workflow 04:25 - Walkthrough of the new workflow. Additional resources: Intercom and AZ Edit Training - https://www.thecommsguy.com/az-edit/